![]() Further, you can create your own custom target curves from either an individual reference track or better yet, an entire folder of reference tracks. The target curve selection menu allows us to select from 12 common genres, with each selection being derived from machine learning analysis that used thousands of professional masters from a vast range of commercially released songs in that style. Second, within the context of a given genre, it is not abnormal to have some subtle variation from this typical shape with a reasonably defined maximum deviation above and below the average.Īnd in fact, this type of shape and deviation is exactly what Tonal Balance Control shows us. ![]() First, if we look at the tonal balance for an entire song consisting of a typical mix of drums, bass, voice, and some additional instrumentation, it is not uncommon to have a peak somewhere below 100 Hz with a gentle slope down as we move to higher and higher frequencies. However, we can still make some general observations about tonal balance in a broad sense. Thus, it is entirely fair to say that judging the quality of a song’s tonal balance is not only largely personal, but also highly context-dependent. Second, we’re talking about art which inherently has a subjective element to it. First and foremost, what might be a good tonal balance for one song could be completely inappropriate for another. What makes good tonal balance? The answer here is less clear-cut for several reasons. Thus, when we talk about tonal balance we’re really talking about how the different frequencies and frequency ranges in a mix balance against each other. ![]() Very broadly speaking, you could think of this as the balance between bass, midrange, and treble, but of course, we can-and do-get more granular. ![]() In the simplest sense, tonal balance refers to the distribution of energy across the range of audible frequencies-about 20 Hz to 20 kHz-usually in the context of a full mix. ![]()
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